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Guide

Silent battery power for film production

A generator you can hear is a generator in the take. That single fact reorganises how a unit uses power.

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The cable-run problem

Production sound is unforgiving. A diesel set placed far enough away to stay out of the mix needs long cable runs, and cable runs need crew, time, and somewhere safe to lay them. Placed closer, it costs you takes — and in post, it costs you the work of notching out a generator floor that should never have been recorded.

On a sound stage the problem is different and harder: a combustion generator cannot be inside at all because of carbon monoxide. Power goes outside, and you are back to cable runs.

A battery removes both constraints. It sits where you need it, indoors or out, and makes no noise.

What a unit actually runs on it

The 230V/50Hz point

Most US-built temporary power equipment outputs 120V/60Hz, which is the wrong standard for the Middle East, Europe, South Asia and Africa. Productions working in those territories either hire locally or carry transformers.

The PulseTrek Performance is factory-configured for 230V/50Hz, which makes it the only Made-in-USA trailer-mounted BESS with native support for those grids. For a production travelling between territories, that removes a category of equipment and a category of failure.

This is not theoretical: productions working remote desert locations in the UAE ran on PulseTrek's 230V output from day one, with no conversion and no generator shipped into the sand.

Sizing a unit day

Unit typeTypical drawStarting point
Documentary or small unitCamera, monitors, small lighting30 kWh at 2.4 kW
Drama unit on locationFull lighting, camera, sound30 kWh at 8 kW continuous
International shootAs above, at 230V/50HzPerformance model
Studio or multi-unitSeveral units across a lotMultiple trailers

What it changes about locations

The practical effect is that locations which were previously difficult become straightforward: residential streets at night, interiors with no power, sensitive sites where a generator would not be permitted, and anywhere the neighbours were going to be the problem.

Night shoots in particular stop being a noise negotiation, which is worth more on a schedule than the fuel saving is on a budget.

Questions answered

Frequently asked questions

Can PulseTrek work with 230V / 50Hz systems?

Yes. The Performance model is factory-configured for 230V/50Hz output, making it compatible with Middle East, European, South Asian and African grid standards without modification. Base and Base+ output 120V/60Hz.

Is battery power safe to use indoors and on sound stages?

Yes. LFP chemistry is far more thermally stable than other lithium chemistries and the system produces no emissions in operation, so it can be used in studios, warehouses and enclosed practical locations.

Can it handle the inrush from lighting fixtures?

The Performance model provides 20,000 W of peak power against 8,000 W continuous, which gives headroom for fixture strikes and motor starts.

How long will it run a shooting day?

A 30 kWh unit covers a typical unit day at moderate draw and recharges overnight from shore power. For remote multi-day blocks, the solar upgrade kit or a second unit removes the recharge constraint.

Keep reading

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